Wednesday, January 21, 2015

WaveCat - A New Kind Playlisting Making a Comeback: Interview with Steve Biddick is a music streaming, play list building service that acts as a 'second-skin' for Soundcloud and Youtube. It allows users to build unlimited playlists using freely available tracks and offers 100% uninterrupted playback without any advertisements. Every playlist on is hand-picked by a community of real people - not faceless computer algorithms. users search for their favorite tracks from YouTube & Soundcloud and create new playlists to share with a growing community. An intuitive drag-and-drop interface allows users to easily build and structure playlists in a matter of seconds, arranging the music however they wish. features:
-An intuitive drag-and-drop interface
-internal search functions for YouTube and SoundCloud
-100% free with no ads or interruptions
-Unlimited playback
-Long playlists mixed by professionals and every day users
-Cat-like memory that remembers the last song you listened to in each playlist
-User customised channels and playlists
-Sharing and collaborative functions for community driven music is the brainchild of Pedro Esperan├ža, a workaholic programmer and music lover who likes to listen while he works. Pedro noticed an annoying trend that was hampering his daily music fix - he always had to choose a new song at some point, which meant stopping his to work to find a new track. He looked for playlists to remedy the problem but these almost always came with advertisements, which sullied the listening experience. Pedro used Dropbox to create a 'website' of streaming music, asking his friends to contribute and set up “a great playlist” for him to enjoy while working. The playlist was a big success and soon spread outside of his circle of friends, eventually earning up to 2000 visits per-day. People were listening. To invite further collaboration, Pedro decided to make – a free playlist building platform for everybody to use.

Steve Biddick of Omerta Game Ltd got involved with in July 2014.

Interview with Steve Biddick of Wavecat

So, for those that aren't familiar with WaveCat, please explain what WaveCat is. What inspired you to create WaveCat and how long ago did you start this project?

Steve: We have three offices - a UK one, a Hong Kong one and a dev lab in Lisbon, Portugal. We listen to music all of the time and have a diverse range of genre interests. Discussion about 'what constitutes good music' lead to many agreements and disagreements, eventually that there was a need for a playlist sharing method with no whistles and bells. WaveCat is made from those discussions.

Workaholic programmer Pedro Esperanca made the first cat, putting a few files he owned on dropbox and making a simple webpage to serve these. Anyone in the office could open and play the page. Pedro didn't want to keep choosing new songs, which meant stopping to work to find new tracks. Playlists on other sites are littered with annoying advertisements (in the Chinese office these are in Cantonese and none of us speaks that language) We didn't want ads in playlists in the office. We eventually got a bit tired of the Dropbox playlist, and asked some musical friends to collaborate in setting up a better one. They really liked the visual format and set up four libraries of recordings, which we also hosted on Dropbox. These lists can all be found at - so that the collaborators could listen too, we put it on the web.

There was a big local response in Portugal - with the list going locally viral via Facebook. Soon we were getting 2000 visits per-day. People were listening. To invite further collaboration, we decided to make the current version of – a search-engine based free playlist-building platform for anyone can use. 

 Seeing the huge potential of this 'second skin' type website, after Pedro moved to a new project, working for a different company, Omerta Game ltd CEO bought the site in July '14. 
 Neat fact: as the money transfer completing the purchase of went through, Steve was just touching down in Catalonia, where the .cat TLD is based.

What makes WaveCat different from other Playlisting websites and why is this one better?

Steve: is a 'second-skin' for Soundcloud and Youtube (we plan to add more services as we grow, but those two have the biggest online repository on the web, so a good place to begin. Search Engines are 'second skins' too (Second skin websites were predicted by David Gelernter in his seminal book 'Mirror worlds', published in 1991). What it means is that the content is elsewhere, or 'lots of elsewhere's' and then collected together in a neat visual format by for relay to consumers, but leaving out the bloat and spam, both visually (banner ads and leadins to other parts of those websites) and audiably (playable ads). replaces these with an awesome neat visual format, drag and drop UX and without all the trimmings. Another advantage is 'social music sharing' - wavecat playlists are sharable with other users. We have teams of DJs putting together playlists from club nights gone by, playlists made by all members of a band and friends just sharing tunes they love, or sometimes loved years ago. We are making it easier to share curated lists of music, between friends and friends of friends. Plus we have an 8-bit cat and a cat wearing shades for our logo. What's not to like?

In comparison to Spotify and Pandora, how is WaveCat’s sound quality?

Steve: Sound quality at-source depends on the tunes you pick when you are making your You will find that when a tune on YouTube is a poor recording, there are typically multiple instances available - when I make a list I sometimes go through two or three before I find the one I like.

As already mentioned wavecat isn't a steaming service. See it a s prettified search engine for music, cross-platform, with savable, sharable results. We think that's different.

Roughly how many songs does WaveCat have and how many songs per day are added to your database?

Steve: Add up all the recordings on SoundCloud and YouTube...

Everybody thinks the cat is cool, even (Wiki inventor) Ward Cunningham saw the potential. That was a big moment for the team. We are geeks. It was a 'we are not worthy' moment (like when Wayne and Garth in 'Wayne's World' meet Alice Cooper and throw themselves down at his feet).

What are some of the best features of WaveCat and why WaveCat would make people drop their current music platform?

• No signup
• No ads
• Clean visual interface
• Smooth UX
• Shit-easy to make a playlist (you can dump a playlist URL from YT or SC and ALL of the tunes on that list appear on your new wavecat)*

We suggest you try that - register at wavecat, start a new playlist, open SoundCloud or YouTube, grab the playlist of your choice, drop it's pagelink into the Cat and choose a groovy background image.

Really - try this - you will see that a fantastic looking new playlist is made and ready for sharing in seconds.

We also have a great mix of user and professionally curated playlists, you can choose from these and play without ever being nagged to sign up.

Now, these playlists are created by fans, correct? For the unusual tastes, does WaveCat cater to people that love Anime and video game music?

Steve: Sure - there are some K-Pop and J-Pop lists in there and all sorts of oddities. You are limted only by imagination.

Make that list for is if it is something that you love. We want to hear it! In fact, I'll personally send a free air guitar to the first person who sets that up.

Currently, is Wavecat mobile friendly? Is there an app? If not, how soon do you think it will his come out of development and get into the hands of fans?

Steve: This is the current project - An Android app version is being tested for beta release soon. I can't give an exact date yet, but I can tell you it'll totally rock (and dance, and jazz or even Anime.)

An iOS version will follow. We are kind of in stealth mode for now while these apps are being made. If you are reading this on a phone and wonder why does not work on your phone, launch it in a browser - it will soon!

What are some things that music lovers can expect from WaveCat in 2015?

Steve: The app. The app and the app. Then we will add some new services and expand all the sharing stuff. More WCOD (Wave cat of the day) lists from new bands and celeb bands alike.

We're currently promoting musicians who we have ties to via social media, particularly encouraging those who have made a WC to promote their band or brand. Some more experienced bands have featured (OK, Go! Pomplamoose) and some up and coming ones like Lake Street Drive.

Take a look at the blog to see our recently published WCOTD's, ranging from underground hip hop to chart-busting pop:

We will also add some revolutionary stuff to boost sharing

Find more of Wavecat
Official Website:

Saturday, January 17, 2015

Launching of Songwriter Connect to Help Talented Songwriters Worldwide

FOR IMMEDIATE RELEASE - Songwriter Connect has been launched, with this platform already having several members who are successful songwriters with top hits in the US and Canada. Slots are filling fast as the platform will only be accepting 500 members.

The site is inviting songwriters, composers and other musicians to get connected with the music industry and apply for membership free of charge. Membership is austerely limited to accommodate 500 talented members and all applications will go through a strict application process. Songwriter Connect membership includes the following:

• Pitching opportunities for artist’s placements
• Pitching opportunities for TV and Film
• Free resources for songwriting
• Discounted songwriter services
• Music and songwriting industry news

Be among of the first fortunate users of this new website which connects songwriters and composers to become well established. The music industry can really be hard to penetrate where composers and songwriters take long years just to have a grand break in the market. Hence, Songwriter Connect is establishing a new way to help these people who want to make it through this kind of industry and make their names be known worldwide. This latest platform will feature several opportunities for music creators to pitch their song to industry contacts looking for a specific sound. Whether an A&R agent is looking for the next hit of Ariana Grande or Justin Timberlake or a label is looking for the debut single of an upcoming artist, you will find the pitching opportunity at Songwriter Connect.

The benefit for members is that, if accepted there is no submission fee for each pitch and members will not compete with 1000s of other music creators for one opportunity as only 500 members that had been screened are accepted to be part of Songwriter Connect.

Explore the opportunities and sign in contracts, by just showing a unique talent in writing and composing. Apply for membership and let the world hear a magical sound that will make a change. Songwriter Connect is the right place to be!

### For those who are interested about Songwriter Connect, they may visit or email them at for more details.

Wednesday, December 31, 2014

Milky Chance and Tegan and Sara make the list of Top Rated Music Artists of 2014

2014 was a spectacular year for music and the Los Angeles based indie radio station known as KGUP 1065 FM "The Emerge Radio Networks" as they reached new heights and have expanded across the world.

Over the course of nearly 2 years, the radio station has been growing exponentially and can be heard on many radio networks across the globe. The Indie-Alternative radio station has grown so rapidly, they had to dedicate an entire page to show and support all 16-radio networks that play and endorse KGUP.

In 2014, KGUP has come across some familiar faces and discovered some of the most amazing emerging artists from the independent music community. One independent artist in particular goes by the name of Sono Vero. Sono Vero took the Number 1 spot for the Most Requested Artist in 2013 and held on to the top spot well into 2014 for 18 weeks straight.

Below is a list of the Top Rated Artists of 2014. This data is based on the total number of listeners tuned in for a particular song and have performed the best throughout the year.

Moving into 2015, a congratulations to this weeks Most Requested Artist of the Week, LP. Her song “Tokyo Sunrise” has maintained the Number 1 spot for the 5th week in a row and is the first artist to be Number 1 in 2015.

Listen for yourself and you'll discover why KGUP is becoming one of the best radio stations for independent music by going to and or listen on your smart phone or your hybrid/electric vehicle by tuning on TuneIn. Search for "KGUP".

Request your favorite songs by calling or texting at 206-736-9698

Wednesday, December 10, 2014

Giving Artists a New Reach: Interview with Justyn Brodsky

Artist Reach is a company that offers Professional Artist Development & Elite Music Industry  Services while cutting out the middle man, "consultants", or people in the Business you potentially may be wasting money with. We are a direct source, and best of all, we are founded and operated by Professional Musicians--guaranteeing you top results based on our decades of hands-on experience on stage, and off stage; and our online presence demonstrates that our following grows daily, and sustains absolute loyalty among those that have connected/networked with it.

Interview with Justyn Brodsky of Artist Reach 

So, are you the founder and CEO of Artist Reach?

Justyn: I am. The company originally started in Spring 2013 under the name The Pact Music Society. But after successfully being offered a grant (along with the help of Digital Music News, Electric Kiwi, Sony, and the Agency Group), some development of new ideas, more crowdfunding, and an enormous response on our social media platforms...we became Artist Reach in Spring 2014 after investors exercised the idea of a name change.

Tell us how the company started. What made you decide you wanted to help artists?

Justyn: helping Artists is something I've always been prone to ever since becoming an Artist myself. God knows since music coming into my life at age 3 (I have pictures to prove this!), it's been quite the journey. I've watched the Music Business evolve, I've watched myself evolve with it, I've watched the trends and the genres go through their changes; I've always made sure to pay close attention to what's going on so I can not just keep up with the essence of times, but find my window to possibly get ahead of it somehow. Do something or acquire something in the industry that hasn't been touched on yet. Differentiation, if you will. You can always play it safe, do something that's already been done and do it well...but with Artist Reach and the audience I've built, I'm yearning to find that key factor of differentiation. Kinda like inventing, or reinventing. But helping Artists simply is something from the heart. I wanna inspire others the same way I was inspired.

What exactly do you do and why would an artist want you to represent them? 

Justyn: I operate, facilitate, and run the Company in all aspects ranging from the business side of things, consultation, teaching up to 5 instruments, and do whatever I can to make sure Artist Reach is always active and making new friends, colleagues, connections, etc. Why us? Because like said, we are dynamically run by professional musicians only. Currently there are 7 of us, myself included. Our experience in many music fields on high levels makes all the difference from your average Music Business "Network" or Music Lesson "Program". We lived and breathed the music fields for years, and continue to do so. We also personalize this experience and don't shy away from or "screen" Artists that wanna be involved because of lack of experience, knowledge of the industry, or heavy extensive touring. We have seen so many Artists start from the bottom and rise. That's why we don't discriminate. If the Artist's drive and work ethic is there along with the will to invest themselves into their career, that's where we can play the best role. Your Artist Development.

There are so many companies that claim to get artists exposure, but in the end, they seem to only take a lot of money with little results. What separates your company from all the other Artist Development companies?

Justyn: We charge our services based on the Artist's needs, their goals, and what they are striving to gain without emptying their wallets. We work with budgets and aren't afraid to show some results first before we charge someone a full quote. Our consultation is always free, and we utilize our skills and experiences combined with your needs and goals as an Artist. And I guess even though it's already been said, the biggest thing that makes us different is the fact that we are a company of professional musicians with elite skills in almost any industry field.

What has Artist Reach done? What are some of your success stories?

Justyn: We have successfully obtained grants from industry investors, 5 star reviews from many customers and affiliates, reviews and interviews on other popular music Zines and Websites, over 150,000 followers on Twitter, over 25,000 Facebook Likes, over 10,000 LinkedIn Connections, a great word-of-mouth following, and countless valuable connections and friendships.

I read your profile and it says that you work for Saturday Night Live. Are you still working for SNL and how is that experience?

Justyn: this is my 3rd season working in audio there. It's not year round, but the best thing about that is it looks great on the resume'. And you get to work with so much talent in the production stages. Unfortunately, I don't get to hang out with celebrities, but the staff and co-workers are some of the most genuine people I've ever met. I learn something new and make great memories every season I get to work in that studio. It's an amazing environment.

Since you are on the inside, have you ever tried to get your clients on the show and have you succeeded? How hard is it to get on these kinds of late night shows?

Justyn: Unfortunately I don't pull that kind of weight. But the advice I was given on many occasions is to make sure I give the producers a reason (or several) to keep them letting me come back to work on the next season. The longer you stay, the more you're looked at as family...and you never know what opportunities may come along! But so far, no one I've recommended or suggested has gotten on the show yet. But I'm always encouraged to submit new talent, and to keep discovering.

What are some of your future goals for Artist Reach and what can we expect in the coming months and years?

Justyn: Expect a very large Network of dedicated Artists with the strive to get to that next level with our help. I hope to open a bigger office, obtain more exclusive investment, and be able to do this full time where I can make this into a living, and have the position to provide a full schedule of services to any Artist looking for the best price for the best results.

Find more of Artist Reach:

Thursday, November 13, 2014

Interview with Grammy Nominated Producer & Author Anthony Casuccio

His name Anthony Casuccio. Anthony Casuccio is the Founder and Principal Sound Engineer and Author. Casuccio even wrote a wrote a book about his experiences. Some of his topics cover treating artists with respect in an age of excess.

Casuccio has worked on numerous albums and mastered the group, Barton's Top 20 Billboard Dance hit "To Call My Own". Casuccio's current projects include - De Apostle (featuring Sizzla, Morgan Heritage and Luciano). Casuccio's own creative project has been featured on All My Children as well as used in numerous commercials across the country (look for the national spot from Liberty Medical). Other of Casuccio's notable projects include a lost demo tape from Kurt Cobain and a Dance single by the Barton that charted at No. 9 in the UK. Casuccio's resume includes spending 1000s of hours mastering projects for several major recording labels including Columbia, BMG, Warner, and dozens of indie labels over the past 20 years.

Xtream Audio Mastering. Their work has been featured in Mix Magazine, Billboard and even been nominated for 3 Grammys. Xtream Audio Mastering produces work ranging from Hip Hop, House, to Heavy Metal.

Interview with Anthony Casuccio: 

It appears as if you have a pretty colorful and decorated life having worked with so many professional and independent artists, you published your own book, and now you have production studio called Xtream Audio Mastering, which you opened in 2010. When you look back on your life, how does it make you feel?

Anthony: It is a great feeling to be able to do something you love and have success at it. I think it goes hand and hand. I have been very luck to have worked with some great people on some great projects.

Do you feel accomplished or do you feel like your best work is yet to come?

Anthony: Great question. I feel like I am just starting (although I am not) and have so many career goals that I want to achieve. Skies the limit in the entertainment industry. I do feel seasoned and can bring a veteran’s perspective to projects.

So, tell us how it all started. How did music get introduced to you and when did you decide you wanted to become an engineer?

Anthony: I always wanted to be Eddie Van Halen (dating myself here) and when I realized in high school that it may not happen, I got interested in the recording aspect of music. I was still playing in rock bands as well as the school band so I was very involved in the music performance side of things. Being a huge Beatles fan since I can remember, I love to write and figured I could take those ideas with me into the studio. So I set a course on going to college to learn recording technology.

Who was the first artist that you could remember that really inspired you?

Anthony: I have to say the Beatles and more importantly, John Lennon. I just loved their songwriting and harmonies. Like millions of other people, it just pulled me in. I knew that I had to do something in the music industry.

What was your childhood like and how was music apart of your life?

Anthony: I bought a lot of 45 records and listened to what was playing on the radio. I had a very supportive family. I took trumpet lessons and then when I was old enough (after asking for a few years) I started guitar lessons. I never looked back.

In addition to all your accomplishments, you're also a published author. Can you tell us about the "Be nice movement"?   

Anthony: Being nice is not a sign of weakness, it shows strength and control. When in a confrontational situation, by responding in a positive constructive manner helps you control the conversation and in the end steer the outcome in your favor. And isn’t that what we want.

I am not trying to preach! I just happened to try and do the right thing in a very tough business and I found that it works. I am used to a fast paced world, where nice is not the norm. I just made a choice to try and always do the right thing and it has paid off. People need to hear this.

The message that I am trying to convey.

Being nice and doing the “right thing” will created opportunities for people that follow this mantra. People like to be around others that radiate positive energy.

Does your book apply to both men and women and does it apply to only nice people?

Anthony: This works for all ages and men and women. This book is an easy read with a great positive message. I am a hot head and if I can act nice and in a positive manner, anyone can. There are a few thought provoking question at the end of each chapter to help spark some personal growth into looking at challenging situations that one may be thrust into.

Let's talk about your business. When did it start and was it difficult to get it off the ground? How did you promote yourself to get new business?

Anthony: I moved to California from NYC to work for a Sony Music company in 2000. Unfortunately, the recession hit and Sony laid everyone off. I had met my future wife there and did not want to move back to NYC. I needed to go back to my roots of mastering (which I was doing in NYC), so fed up with always working for someone else, I started Xtream Audio Mastering in 2001. Interestingly enough, when I was in NYC, I was doing a lot of remastering for big name projects like Johnny Cash, Roy Orbison, Elle Fitzgerald box sets. I also worked on big band and classical albums. So I was surprised and thrilled when one of my first Xtream Audio clients was a Rap group. I treated them with respect, something that they were not used to. Word spread of my fair services and within 6 months I became the go to mastering guy for Hip Hop in the bay area. I have a great web site, and it was much easier back then to get to the top of Yahoo and Google. That helped me generate business and get a foot hold in the business. I was one of the first mastering companies to offer direct upload and free samples.

What is your specialty? Do you only work with music artists or do you offer your services to film producers as well or is that something completely different?

Anthony: Mastering in my primary business. I started to get into mixing as well since I realized I could do a better job on a lot of the music I was receiving to master. Anything audio I will master, not just music. I have cleaned up some dialog for movies to mixing and mastering commercials.

What kind of artist is your specialty? Hip Hop, Electronica, Pop, Rock, or do you do it all?

Anthony: I do it all. I work a lot with the genres you just mentioned, but I also have worked on some classical albums that have been nominated for Grammys. I had a handful of songs I mastered top the dance charts too.

Give us your 5 year forecast? What is the future of Anthony Casuccio and  Xtream Audio Mastering?

Anthony: I plan to be doing what I love to do, Mastering. I started this business as a way to level the playing field for the independent artist buy offering major label mastering at an affordable price. I plan to keep that mission intact. I have built my business on this model and it has worked. Saving musicians some hard earned money and giving them great service kind of sells itself. I have a ton of repeat clients and they love to spread the word on Xtream Audio Mastering. I am going to work hard to allow that to continue.

Find more of Anthony Casuccio:

Official Website:
Twitter: xtreamaudio

Get a copy of Be Nice at

Monday, November 10, 2014

AIMA Season IV Submission Window is Closing and Awards Ceremony Update

The Final submission date to enter Season IV of the Artists In Music Awards is November 15, 2014 at Midnight. If you have not become a member and submitted, there is still plenty of time.

For more information and to find your category go to!vote/c60z

We have several categories in Music, Film, Poetry, Literature, Photography, and Theatre. If your category is not represented, please let us know. We may add it.

Behind the Scenes

If you have been apart of AIMA at all during the past 3 seasons, you may have noticed that we are doing less live shows during the year. Now that we are under the Siqueiros Foundation of the Arts, the Artists In Music Awards has scaled back on the monthly shows, but we are very much still active. We do plan on continuing the live show tradition in Season V and reintroducing the Summer Showcase and the Breakthrough Series.

As of today, we are behind the scenes hard at work and focusing on the final stages of obtaining our 501c3 charity organizational license. In the meantime, the Executive Board of Directors have been diligently attending Community events, shaking hands with State and City leaders by attending political events, and appearing at various Art & Music shows in and around Los Angeles as part of our awareness campaign.

Awards Ceremony

As of today, we are unable to reveal the official location of the Awards Ceremony, but we will very soon. The Awards Ceremony is still scheduled for Saturday, March 7, 2015 and it will be held in Los Angeles. Once we have the “go-ahead” we will send out a Press Release to make the HUGE announcement.

For the main event, we are doing something never done before - show full-length films, have live performances, and exhibit Art during a televised event. At the present moment, we are looking for Full-Length Films, Short films, and Documentary’s. As mentioned previously, we will have an exhibit area to showcase Artwork, so we are looking for Nominees from the Visual Arts arena. Of course, we are also looking for live music performers for the main stage to perform in between the trophy presentations. If you are a member and you have something unique to offer, please email us.

Once we make the location announcement, we will begin selling tickets to attend the main event.

FYI: Anyone can become a member. As a member, you can nominate yourself, a band, or any single artist, actor, etc. You are also welcome to nominate someone for Lifetime Achievement, Educator of the Year, etc. We simply ask that if you nominate someone for an award, your participant is aware they must be present during the awards ceremony as we have a strict attendance policy - We do not award absentees.

To join and submit, go to!submit

The final submission date is NOVEMBER 15, 2015.

Stay tuned for more information COMING SOON!

Thursday, October 23, 2014

10 of the Best Indie Songs for Weddings

Written by Cormac Reynolds

Weddings have to be perfect. The need perfect colors, the
perfect people, and the perfect food. It has to have the perfect soundtrack. We’ve all seen the father-daughter dance to Butterfly Kisses, and we’ve seen rocking reception dances to Jackson Five and Queen. All fun to be sure, but how do you set the mood in a unique way? Below are ten of the best indie songs for a wedding.

1 – Home by Edward Sharpe and the Magnetic Zeros The chorus says it all. “Home is wherever I’m with you.” It’s upbeat and heartwarming, with pieces of a love story sprinkled between whistling and fantastically used trumpets.

2 – We Found Each Other in the Dark by City and Color

They hid the premise in the title. Nonetheless, it’s a great wedding song. It’s about choosing to live and have a great life together no matter the circumstances. Easy guitars and a smooth falsetto make it a good slow dance choice.

3 – Ho Hey by The Lumineers

This happy, energetic folk song proclaims what every wedding is about: “I belong with you, you belong with me, and you’re my sweetheart.” It doesn’t get more wedding appropriate than that. You’ll be the BEST DJ IN TOWN if you play it at a wedding.

4 – Angel by Ernie Halter

City and Colour
This song oozes with sweetness. Halter has a voice like velvet, and the instrumentals provide the
perfect background.

5 – Jackson by Johnny Cash – Original or cover version by Florence + Josh Homme

Admittedly, this doesn’t quite fall in the indie category if you have the original, but Florence Welch and Josh Homme bring a new twist to the classic. Modern voices over a classic bring some Cash class up to date.

6 – You’ve Really Got a Hold on Me cover by She and Him

Who doesn’t want a bit of Zooey Deschanel at their wedding? She and Him’s rendition of the Smokey Robinson song is an ode to holding the one you love, and very easy on the ears.

7 – Walking on a Dream by Empire of the Sun

This song is a blast. It channels just enough of a 80s electronic dance vibe to be fun, without being cheesy or annoying. A simple drum beat and tight instrumentals make this an easy choice for the reception dance floor.

8 – 5 Years’ Time by Noah and the Whale
Noah and the Whale

Easygoing and whimsical, this song will have everybody feeling good. Ukulele, pleasant harmonies, and a small taste of violin and flute add depth to this folk-flavored tune.

9 – Wonderful (The Way I Feel) – My Morning Jacket

Every wedding needs a nostalgic acoustic guitar singer-songwriter type song. A great voice and a great guitar part make this song perfect simplicity.

10 – I’ll Follow You by Jon McLaughlin

A piano based love ballad, this is sure to have all the parents and best friends getting a bit misty. The strings and McLaughlin’s raw voice will bring plenty of emotion to the ceremony.

Wedding DJ Kent, Surrey, Sussex, London

Tuesday, October 21, 2014

Interview with Bidisha Chowdhury: Film Maker and Story Teller

Bidisha Chowdhury lived in Kolkata, India when young. She was always mesmerized by films, but when she grew up, there weren’t kids’ films like there are now. The films were geared towards adults. Instead, she read tons of storybooks, even hiding from her parents to do so. She amused herself by imaging the books she read in film format.

From all the books she read, she had lots of ideas for stories, but no creative outlet for them. Decades later, after moving to the US, she started writing her stories into scripts. Years later, when she finally had the opportunity to get involved with the filmmaking process, working on numerous short films.

Her journey started when she wrote and directed two of her own shorts in 2010 and one in 2012. She became a part of something bigger than herself. Still, at that stage, she never thought she could ever make her own feature-length film someday.

She loves the whole process of filmmaking, starting with writing the script. During the pre-production process, she loves to spend hours creating props and designing costumes for the characters. She finds it creates a stronger connection with the characters and allows her to tell a better story.

Interview with Bidisha Chowdhury

Thank you for taking the time to speak with us. You're obviously a well established director and writer. You have several writing credits, director credits, producer credits, and even a credit as a costume designer. Do you feel like you are just beginning? What is your primary goal?

Bidisha: I love the whole process of filmmaking, starting with writing the script. “Adaline” is my first feature and yes, I guess, in the grand scheme of things it’s still just the beginning for me but I still have a fair amount of experience under my belt. I have a couple of other scripts which I wrote a while ago, I want to make them into a film in the future. Also I’d like to make films on real life stories and events.

My primary goal is to make films which have a strong story because basically I’m a story teller. I want my films to appeal to audiences of all ages and demographic as my central philosophy is simply to have a great story.

You mention in your biography that your ambition to work in film stemmed from a very young age. What were some of your ideas that you held onto as a child that are still with you today?

Bidisha: I was always mesmerized by films, but when I was growing up in India, there weren’t kids’ films like there are now. The films were geared towards adults. Instead, I read tons of storybooks. I amused myself by imaging the books in film format. I had lots of ideas for stories, but no creative outlet for them. Decades later, after moving to the US, I started writing my stories into scripts. Years later, I finally had the opportunity to get involved with the filmmaking process, working on numerous short films. My journey started when I wrote and directed two of my own shorts in 2010 and one in 2012. I became a part of something bigger than myself. Still, at that stage, I never thought I could ever make my own feature-length film someday.

Tell us a little about your current project Adaline? 

Bidisha: This is the story of a struggling young artist called Daniela who inherits an old house from a distant aunt she never knew existed. Daniela moves into the San Andreas house and gets to know locals such as the mentally-challenged Marvin and the handsome John. Life seems perfect.

Daniela starts having a series of bizarre dreams. She finds a hundred-year-old diary from the young Adaline, who also left cryptic prophecies hidden in the attic when she lived there. Daniela discovers that Adaline was known for her special powers and ability to see the future. Her premonitions came true and she was called “The Village Witch of San Andreas”. Did Adaline see something really terrifying in Daniela’s future? Is that the reason she’s trying to reach Daniela through the dreams and the written prophecies?

Is Adaline one those stories you created as a child? 

Bidisha: No. I wrote Adaline in 2012 and then I rewrote it until we went to production. Story and believable characters are important to me. I’ve read many stories since I was a child. My inspiration for believable characters comes from certain interesting people I’ve met along the way. For example, when I was growing up in India there was an older lady who was our neighbor. She was nice but very curious about other people’s business. So I wanted to incorporate personality trait into Becky’s character where I made Becky into a small town nosey lady.

A while back I met a younger guy who was very nice and sweet. He was slightly mentally challenged and talked in a very unique way. Then years later I met another guy who used to work in a shop I often went to. His mannerism, his body language and his clothes caught my eye. The color combination of his clothes didn’t match and the style of clothing was not contemporary but he didn’t realize it. So when I was writing the script I combined these two people into one and that’s how my Marvin’s character got started.

Being that you were forced to hide certain books from your parents, what were those books and does any of your current work reflect those ambitions as a child?

Bidisha: I used to read all kinds of stories and novels which started from a young age and that’s how I fell in love with story-telling which became second nature to me when I grew up. It helps me a lot when I write a script. I can’t remember exactly which books I hid from my parents but they were probably most likely ghost stories.

Did your parents ever catch you writing stories and try to make you stop? How did you hide this from them or how did you explain it?

Bidisha: I used to write more poems than stories when I was much younger. However I did read a huge number of stories during my childhood. The stories I read and the new ones I thought up, I just kept them in my head for my own amusement.

Equality for women in India is slowly changing for the better, but the country is still one of the most dangerous places and oppressed country's for women. As an Indian woman, do you feel some satisfaction in becoming apart of this equality movement?

Bidisha: Yes, India is changing for the better but I don’t believe it’s one of the most dangerous places in the World for women or the most oppressed country for women. After all India, in 1980, elected a female Prime Minister in the form of Indira Gandhi which was long before most countries in the west have done and are still to do. Also, one of the first female film directors in India was an Indian lady by the name of Fatima Begun who, back in the 1920’s, used to write, direct and produce her own films. However, I do understand your sentiment that India is a male dominated society where Indian women have had to face many challenges on a daily basis. As time passes things do change. My total respect goes out to those women. I wouldn’t say I’m a conscious part of any movement. I’m just grateful I have the opportunity to do what I love to do.

So whatever challenges women in film face today the trailblazers of the past have broken down many barriers but there are still more changes that will undoubtedly happen. We will just have to wait and see.

Do you feel fulfilled or is the best yet to come for Bidisha Chowdhury?

Bidisha: I did put all of my effort into making “Adaline” the best it can be with my limited resources and funding. I have different stories I’m looking to get made into film which will be different to Adaline but very special in their own ways. I am always looking to improve so I feel the best of me is yet to come though Adaline represents the current “best of me”.

Can you tell us what you'll be working on next? 

Bidisha: Currently I have a script we’re looking at potentially producing. It’s a period drama set in Victorian times called “Weeping Lilly” and it’s about a mother’s struggles to protect her home, children, husband, and sanity from a scheming governess who has a mysterious past and shadowy agenda.

Find more of Bidisha Chowdhury:

Sunday, October 19, 2014

Interview with Hip Hop Artist CST: Christ Saved Terry

Hailing from Detroit, USA, CST (Christ Saved Terry) is a charismatic, spontaneous and direct hip-hop / Gospel artist who set out to create music with an honest and eclectic approach.

His fondness for hip-hop goes a long way back: his heart and soul was blessed with a talent and affinity for music since he was a kid. The hip-hop scene has always been victim of the vain and shallow pursuit of super-stardom. As a consequence, much of what makes music really important is lost: the message. The cause. CST doesn’t just aim to make typical forms of entertainment: His music is a pledge to the undying love and greatness of our Lord and Savior, Jesus Christ. The music is personal, insightful and real, dealing with issues such as the experience of Christ in everyday life.

Interview with CST (Christ Saved Terry):

Thank you so much for coming onto All Indie Magazine. So, you're a Christian Rap artist. What message do you want to convey to your listeners?

CST: Exactly, I have many friends that are incredible artists and don't make gospel music and we have good friendships. I meet people all the time and we talk about what matters to them. Whether it's a relationship or a situation that needs input, my goal is to encourage people I meet about the plans God has for their life.

You've released three previous albums including Worship Musick (released under the name Da Bronze Bomber) and Hiphop iz my Hobby and #allthatmattters. Your new album is entitled, Model CST. What is special about this album in comparison to your previous releases?

CST: Good question…Charles Barkley Famously said a long time ago “I’m not a role model” I think a lot of people live that way today. Also It’s a play on words…I was born in Highland Park, MI the birthplace of the Ford Model T. Also with this project I’ve learned that there is no such thing as the lone genius. to get anywhere in life we need help and support from others. Each of my projects has had a purpose and a message I hope to communicate to my audience. In my previous work, I've done most of everything myself from the production, the concept and I've seen limits to my abilities when you go at it alone. This Project started with help of a producer (Wontel) that took time and created music that fits the theme of the album and every song is a reflection of the growth I've experienced and the depth of my convictions.

Which song do you think represents this new album above all other songs? 

CST: I have a track called Lost 2 Found which really breaks down the mood of the album. Like the old church song, Amazing Grace..."amazing grace, how sweet the sound that saved..." you get it. I want to communicate that for a new generation of people who are for the most part unimpressed with Jesus and what he represents.

What motivated or who you to become a Hip Hop artist?

CST: I had neighbors from New york and they inspired me to rap. They have tapes that were from the radio stations and I was blown away by the hiphop culture there.

Do you prefer to call yourself a rap artist? What is the difference?

CST: I believe hiphop is a culture and rap is a part of that culture. I care very little for titles as I’m grateful to be called anything at this point. Those who want to argue over the differences have way too much time on their hands.

Growing up, what artists did you look up to? 

CST: The greats like Nas, Jay-Z Also growing up in Detroit I was connected to the rap scene there as well Proof(D12), EM, and Royce are all incredible artists that inspire me.

Who do you look up to now?

CST: There is a difference now that I’m a Christian, I look up to rappers that share my world view like Flame, Da Truth, B.I.G. CITY and Social Club.

What is in store for CST? What projects do you have currently in the works that fans can look forward to?

CST: I have a EP coming out call Model CST, another mixtape in the works and Hopefully a tour in 2015. People can catch up with me by going on

Find more of CST:

Thursday, October 16, 2014

Identity Theft: Interview with Author Laura Lee

"A bored employee in a rock star's office begins an online relationship with a fan in the guise of his
boss and sets off a chain of events he cannot control."

Laura Lee is the author of 15 books with such publishers as Harper Collins, Reader's Digest, Lyons Press and Running Press. I am best known for humorous reference such as The Pocket Encyclopedia of Aggravation, which sold 85,000 copies for Black Dog and Leventhal. My first novel was Angel published by Itineris Press. The San Francisco Chronicle has said of my work: “Lee's dry, humorous tone makes her a charming companion… She has a penchant for wordplay that is irresistible.”

Synopsis of Identity Theft 
Candi Tavris is on the verge of turning 30, she works in the packaging department of a company that is downsizing and she is hounded by calls from creditors who mispronounce her name. She wakes up every morning praying that the folks at Life Lock will perform their work in reverse and give her "identity" to someone else. Her younger sister, never a serious student, married a rich executive and lives in a mansion. Candi's only solace is escaping into the music and image of the 80s pop star Blast.

Ethan Penn, a 22 year-old college dropout who smokes pot and lives in his mother's basement, works in the rock star's office. (His desk sits under a framed gold record with a dead spider caught in the glass.)

His boss, whose real name is Ollie Thomas, is as socially awkward off stage as he is charismatic on stage. He is depressed about his pending divorce. His greatest fame is behind him, his biggest hit "Partly Cloudy Thursday (Blast With Me)" was a cliched monstrosity written to please record executives. His rock n' roll lifestyle mostly consists of finding ways to keep his laundry from stinking while on the road and trying to remain anonymous while buying Preparation-H.

Blast assigns the task of keeping up with his social networking to Ethan. Ethan starts to correspond with Candi through e-mail and chats in the guise of the rock star. The conversation soon becomes steamy. The game spirals out of control when Blast performs a concert in Candi's hometown and Candi is mistaken first for a groupie and then for a delusional stalker.

Candi must try to prove (and retain) her sanity. Ethan must decide whether to risk jail by telling the truth. A terrified Ollie has to come to terms with his relationship with his Blast character and the consequences of his fame.

Interview with Laura Lee:
According to the synopsis, this sounds like a fun read full of twists and turns and it all seems to surround three people that are trying to hide from their obviously miserable lives. What else can you say about this book? Is it as funny as it seems? Is there a serious side to this book?

Laura Lee: It's sort of Donnie and Marie. A little bit country and a little bit rock n' roll. (Or is your audience way too young to get that reference?) I tend to talk about serious things using humor and sometimes humorous things in seriousness. I don't know if the three main characters are miserable, they're more isolated and are each in stagnant periods in their lives. I tend to need some philosophical question to muse on in order to get the momentum to write a novel. In this case, I mused on the nature of identity. Most of the characters, for example, have names that are different than those they were born with. A reader described it as "a somewhat dark, intellectual comedy, with some light romance and a huge dose of reality." That sounds good to me.

How did you come up with this story? Does it reflect any truth to your real life or are you just that creative?

Laura Lee: None of the characters are autobiographical. They say "write what you know" but there are a lot of ways of knowing. Lived experience is only one kind of knowing. When I write I combine things I researched, things I lived and things I imagine and I put them in a blender. I did, like the character of Ethan, work in a musician's office. (And fans did come in and suggest that he could make more money if we had him wear the t-shirts and use the soap before we sold it.) Like the rock star character (Ollie/Blast) I am on the road five moths a year. (With a ballet project.) And I have been on entertainment tours with a group in a big tour bus as well. So I am familiar with that world. Like Candi, the character who is taken in by Ethan's fraud, I have worked in an office that was restructuring-- more than one in fact. I've had to deal with financial woes. I imagined my first apartment, the only house in a trailer park, as her home. Mostly because it was sort of an odd space. People thought it was the rental office, and you'd be sitting watching TV in your pajamas and they'd just walk in without knocking.

Right now, you are in the process of trying to fund the publishing of this book and you have a crowdfunding campaign. What are some perks and benefits that people will get by contributing to your campaign?

Laura Lee: I've kept it simple. I'm not asking for anything more than the price of the book. So if you order an ebook you get an ebook. If you order a print book you get an autographed book. You buy a book for the price of a book, but you also know that without your support the book would not exist.

When you release the book, is it going to be strictly sold digitally or would people be able to buy it at a local retailer?

Laura Lee: It will available as both a print and an ebook. It will no doubt be print on demand. This means that it is available to brick and mortar stores, but most do not like to stock books that are not returnable.

You're already a published author and you've written several other books. What are some of your proudest moments?

Laura Lee: I remember when Pelican Publishing called me up and wanted to buy what became my first book. I had to call my father, who was an author, and ask, "Did I just sell a book?" Unfortunately, my father was not around to see me publish my first novel. He would have been proud of that, I think. Angel is the book I am most proud of so far. It was really a different kind of book for me. I think of it as the moment when I really found my voice as an artist. I had developed a different voice before, a dry comic voice, for my non-fiction and I don't want to diminish that. The Elvis Impersonation Kit was great fun to write. It was a how to on being an Elvis tribute artist. I got to interview loads of Elvi. They were great guys and gals. I don't think you can be an Elvis impersonator without having a great sense of humor. But Angel is something new and since it came out, I have been frightfully prolific. (I've been researching Lord Alfred Douglas and "frightfully" is one of his favorite words.) I have just not published a great deal of what I've been working on yet. That's why I am excited about indie publishing and taking control of my destiny, the way my musician friends have been doing with their music for years.

Let's talk about you and what makes you "tick". What made you decide to become a writer? Who or what was your inspiration?

Laura Lee: My father was a professional writer and author, so I grew up among writers. I had an aptitude, but it took me a long time to appreciate that. I didn't realize that writing did not come easily to everyone. I wanted to be an actress and I studied theater. My grandmother was a professional radio actress and she encouraged me. I majored in theater at Oakland University, but I never got cast in any productions. I was relegated to backstage role and I was deeply depressed about it. To this day most of my old theater friends think of me as a theater tech. They assume I preferred the technical side, and if I had known myself a bit better, I probably would have.

Now I look back and I wonder if I had even met myself. I am such an introvert and as I get older the idea of performing becomes less and less appealing. I don't miss it. I assume now that the reason I didn't get cast in anything was that I was a bad actress.

I have always admired performers though. My partner is a ballet dancer who has natural charisma on stage. I couldn't take my eyes off him when I saw him perform. I work in a supporting role, setting up classes for him. He shines, I play the music. I'm cool with that. I don't like to be the center of attention.

Anyway, beginning in college whenever I dashed off a little script or something people would praise it. It took me no effort to write and people went on about how wonderful it was. It slowly started to dawn on me that maybe my father had been right about the writing thing. Little by little, my efforts turned more in that direction.

Who are some of your favorite author's today?

Laura Lee: Lately I have been reading a lot of Oscar Wilde and related.

Do you like being an independent writer? What are some of the challenges of being an author in today's digital age?

Laura Lee: It is very challenging for someone in my position. That is, someone who was traditionally published and who is finding that world changing. It is a bit like the famous Matthew Arnold quote: "Wandering between two worlds, one dead. The other powerless to be born." I have to admit that once you have done all the work to be accepted into the traditional publishing world, it becomes hard to go back to being on your own. There is a certain ego-hurtle you have to overcome. You have to get over needing that Better Housekeeping Seal of "Real Professional Writer" Approval.

Yet, the opportunities for non-celebrity authors are fewer than they used to be. I've always valued the resistance from editors and agents, actually. I like knowing that by the time someone has bought my book it has gone through a real test and it has been proven. I know it is worth publishing. The idea that you might make a complete fool of yourself is daunting. Too many self-published writers are putting out stuff that has not been polished and tested. There is still no real system to separate the guy who put out a typo-ridden, cliched showcase of bad grammar and the artist who is serious and focused and has a professional quality product. It will come, I am sure. It's just not here yet.

The pace of traditional publishing makes it almost impossible for a writer to make a regular living. Everything takes months and months. I just got a rejection on a novel I sent out a year and a half ago! Think about how much writing is lost just to delay. Instead of publishing your creations, you're spending years at a time trying to get published or waiting to hear from publishers. I would like to get out of that cycle. There are certain kinds of projects I would never try to publish on my own, but I want to put out the ones I can.

Do you plan on doing a book release party/signing once the book funds and is published? 

Laura Lee: To be perfectly honest, when my first book was published I threw a release party. No one but my family and the people who lived in my building showed up. I haven't dared it again. Never throw a party in your own honor. That was my takeaway.

This will be my 15th book, I think. At that point it gets a bit like throwing a big shower for your fifth wedding. But I will do a happy dance when it is funded and I will send thanks and kisses to all the supporters.

Find more of Laura Lee and help her fund her book: 
Crowdfunding site: 
Laura Lee's website: