Giving Artists a New Reach: Interview with Justyn Brodsky

Artist Reach is a company that offers Professional Artist Development & Elite Music Industry  Services while cutting out the middle man, "consultants", or people in the Business you potentially may be wasting money with. We are a direct source, and best of all, we are founded and operated by Professional Musicians--guaranteeing you top results based on our decades of hands-on experience on stage, and off stage; and our online presence demonstrates that our following grows daily, and sustains absolute loyalty among those that have connected/networked with it.

Interview with Justyn Brodsky of Artist Reach 

So, are you the founder and CEO of Artist Reach?

Justyn: I am. The company originally started in Spring 2013 under the name The Pact Music Society. But after successfully being offered a grant (along with the help of Digital Music News, Electric Kiwi, Sony, and the Agency Group), some development of new ideas, more crowdfunding, and an enormous response on our social media platforms...we became Artist Reach in Spring 2014 after investors exercised the idea of a name change.

Tell us how the company started. What made you decide you wanted to help artists?

Justyn: helping Artists is something I've always been prone to ever since becoming an Artist myself. God knows since music coming into my life at age 3 (I have pictures to prove this!), it's been quite the journey. I've watched the Music Business evolve, I've watched myself evolve with it, I've watched the trends and the genres go through their changes; I've always made sure to pay close attention to what's going on so I can not just keep up with the essence of times, but find my window to possibly get ahead of it somehow. Do something or acquire something in the industry that hasn't been touched on yet. Differentiation, if you will. You can always play it safe, do something that's already been done and do it well...but with Artist Reach and the audience I've built, I'm yearning to find that key factor of differentiation. Kinda like inventing, or reinventing. But helping Artists simply is something from the heart. I wanna inspire others the same way I was inspired.

What exactly do you do and why would an artist want you to represent them? 

Justyn: I operate, facilitate, and run the Company in all aspects ranging from the business side of things, consultation, teaching up to 5 instruments, and do whatever I can to make sure Artist Reach is always active and making new friends, colleagues, connections, etc. Why us? Because like said, we are dynamically run by professional musicians only. Currently there are 7 of us, myself included. Our experience in many music fields on high levels makes all the difference from your average Music Business "Network" or Music Lesson "Program". We lived and breathed the music fields for years, and continue to do so. We also personalize this experience and don't shy away from or "screen" Artists that wanna be involved because of lack of experience, knowledge of the industry, or heavy extensive touring. We have seen so many Artists start from the bottom and rise. That's why we don't discriminate. If the Artist's drive and work ethic is there along with the will to invest themselves into their career, that's where we can play the best role. Your Artist Development.

There are so many companies that claim to get artists exposure, but in the end, they seem to only take a lot of money with little results. What separates your company from all the other Artist Development companies?

Justyn: We charge our services based on the Artist's needs, their goals, and what they are striving to gain without emptying their wallets. We work with budgets and aren't afraid to show some results first before we charge someone a full quote. Our consultation is always free, and we utilize our skills and experiences combined with your needs and goals as an Artist. And I guess even though it's already been said, the biggest thing that makes us different is the fact that we are a company of professional musicians with elite skills in almost any industry field.

What has Artist Reach done? What are some of your success stories?

Justyn: We have successfully obtained grants from industry investors, 5 star reviews from many customers and affiliates, reviews and interviews on other popular music Zines and Websites, over 150,000 followers on Twitter, over 25,000 Facebook Likes, over 10,000 LinkedIn Connections, a great word-of-mouth following, and countless valuable connections and friendships.

I read your profile and it says that you work for Saturday Night Live. Are you still working for SNL and how is that experience?

Justyn: this is my 3rd season working in audio there. It's not year round, but the best thing about that is it looks great on the resume'. And you get to work with so much talent in the production stages. Unfortunately, I don't get to hang out with celebrities, but the staff and co-workers are some of the most genuine people I've ever met. I learn something new and make great memories every season I get to work in that studio. It's an amazing environment.

Since you are on the inside, have you ever tried to get your clients on the show and have you succeeded? How hard is it to get on these kinds of late night shows?

Justyn: Unfortunately I don't pull that kind of weight. But the advice I was given on many occasions is to make sure I give the producers a reason (or several) to keep them letting me come back to work on the next season. The longer you stay, the more you're looked at as family...and you never know what opportunities may come along! But so far, no one I've recommended or suggested has gotten on the show yet. But I'm always encouraged to submit new talent, and to keep discovering.

What are some of your future goals for Artist Reach and what can we expect in the coming months and years?

Justyn: Expect a very large Network of dedicated Artists with the strive to get to that next level with our help. I hope to open a bigger office, obtain more exclusive investment, and be able to do this full time where I can make this into a living, and have the position to provide a full schedule of services to any Artist looking for the best price for the best results.

Find more of Artist Reach:
Facebook: www.facebook.com/ArtistReachOfficial
Twitter: http://twitter.com/ArtistReach
Tumblr: artistreach.tumblr.com

Interview with Grammy Nominated Producer & Author Anthony Casuccio

His name Anthony Casuccio. Anthony Casuccio is the Founder and Principal Sound Engineer and Author. Casuccio even wrote a wrote a book about his experiences. Some of his topics cover treating artists with respect in an age of excess.

Casuccio has worked on numerous albums and mastered the group, Barton's Top 20 Billboard Dance hit "To Call My Own". Casuccio's current projects include - De Apostle (featuring Sizzla, Morgan Heritage and Luciano). Casuccio's own creative project has been featured on All My Children as well as used in numerous commercials across the country (look for the national spot from Liberty Medical). Other of Casuccio's notable projects include a lost demo tape from Kurt Cobain and a Dance single by the Barton that charted at No. 9 in the UK. Casuccio's resume includes spending 1000s of hours mastering projects for several major recording labels including Columbia, BMG, Warner, and dozens of indie labels over the past 20 years.

Xtream Audio Mastering. Their work has been featured in Mix Magazine, Billboard and even been nominated for 3 Grammys. Xtream Audio Mastering produces work ranging from Hip Hop, House, to Heavy Metal.

Interview with Anthony Casuccio: 

It appears as if you have a pretty colorful and decorated life having worked with so many professional and independent artists, you published your own book, and now you have production studio called Xtream Audio Mastering, which you opened in 2010. When you look back on your life, how does it make you feel?

Anthony: It is a great feeling to be able to do something you love and have success at it. I think it goes hand and hand. I have been very luck to have worked with some great people on some great projects.

Do you feel accomplished or do you feel like your best work is yet to come?

Anthony: Great question. I feel like I am just starting (although I am not) and have so many career goals that I want to achieve. Skies the limit in the entertainment industry. I do feel seasoned and can bring a veteran’s perspective to projects.

So, tell us how it all started. How did music get introduced to you and when did you decide you wanted to become an engineer?

Anthony: I always wanted to be Eddie Van Halen (dating myself here) and when I realized in high school that it may not happen, I got interested in the recording aspect of music. I was still playing in rock bands as well as the school band so I was very involved in the music performance side of things. Being a huge Beatles fan since I can remember, I love to write and figured I could take those ideas with me into the studio. So I set a course on going to college to learn recording technology.

Who was the first artist that you could remember that really inspired you?

Anthony: I have to say the Beatles and more importantly, John Lennon. I just loved their songwriting and harmonies. Like millions of other people, it just pulled me in. I knew that I had to do something in the music industry.

What was your childhood like and how was music apart of your life?

Anthony: I bought a lot of 45 records and listened to what was playing on the radio. I had a very supportive family. I took trumpet lessons and then when I was old enough (after asking for a few years) I started guitar lessons. I never looked back.

In addition to all your accomplishments, you're also a published author. Can you tell us about the "Be nice movement"?   

Anthony: Being nice is not a sign of weakness, it shows strength and control. When in a confrontational situation, by responding in a positive constructive manner helps you control the conversation and in the end steer the outcome in your favor. And isn’t that what we want.

I am not trying to preach! I just happened to try and do the right thing in a very tough business and I found that it works. I am used to a fast paced world, where nice is not the norm. I just made a choice to try and always do the right thing and it has paid off. People need to hear this.

The message that I am trying to convey.

Being nice and doing the “right thing” will created opportunities for people that follow this mantra. People like to be around others that radiate positive energy.

Does your book apply to both men and women and does it apply to only nice people?

Anthony: This works for all ages and men and women. This book is an easy read with a great positive message. I am a hot head and if I can act nice and in a positive manner, anyone can. There are a few thought provoking question at the end of each chapter to help spark some personal growth into looking at challenging situations that one may be thrust into.

Let's talk about your business. When did it start and was it difficult to get it off the ground? How did you promote yourself to get new business?

Anthony: I moved to California from NYC to work for a Sony Music company in 2000. Unfortunately, the recession hit and Sony laid everyone off. I had met my future wife there and did not want to move back to NYC. I needed to go back to my roots of mastering (which I was doing in NYC), so fed up with always working for someone else, I started Xtream Audio Mastering in 2001. Interestingly enough, when I was in NYC, I was doing a lot of remastering for big name projects like Johnny Cash, Roy Orbison, Elle Fitzgerald box sets. I also worked on big band and classical albums. So I was surprised and thrilled when one of my first Xtream Audio clients was a Rap group. I treated them with respect, something that they were not used to. Word spread of my fair services and within 6 months I became the go to mastering guy for Hip Hop in the bay area. I have a great web site, and it was much easier back then to get to the top of Yahoo and Google. That helped me generate business and get a foot hold in the business. I was one of the first mastering companies to offer direct upload and free samples.

What is your specialty? Do you only work with music artists or do you offer your services to film producers as well or is that something completely different?

Anthony: Mastering in my primary business. I started to get into mixing as well since I realized I could do a better job on a lot of the music I was receiving to master. Anything audio I will master, not just music. I have cleaned up some dialog for movies to mixing and mastering commercials.

What kind of artist is your specialty? Hip Hop, Electronica, Pop, Rock, or do you do it all?

Anthony: I do it all. I work a lot with the genres you just mentioned, but I also have worked on some classical albums that have been nominated for Grammys. I had a handful of songs I mastered top the dance charts too.

Give us your 5 year forecast? What is the future of Anthony Casuccio and  Xtream Audio Mastering?

Anthony: I plan to be doing what I love to do, Mastering. I started this business as a way to level the playing field for the independent artist buy offering major label mastering at an affordable price. I plan to keep that mission intact. I have built my business on this model and it has worked. Saving musicians some hard earned money and giving them great service kind of sells itself. I have a ton of repeat clients and they love to spread the word on Xtream Audio Mastering. I am going to work hard to allow that to continue.

Find more of Anthony Casuccio:

Facebook: https://www.facebook.com/xtreamaudio
Official Website: http://xtreamaudio.com/audio.html
Twitter: xtreamaudio

Get a copy of Be Nice at http://anthonycasuccio.com

10 of the Best Indie Songs for Weddings

Written by Cormac Reynolds

Weddings have to be perfect. The need perfect colors, the
perfect people, and the perfect food. It has to have the perfect soundtrack. We’ve all seen the father-daughter dance to Butterfly Kisses, and we’ve seen rocking reception dances to Jackson Five and Queen. All fun to be sure, but how do you set the mood in a unique way? Below are ten of the best indie songs for a wedding.

1 - Home by Edward Sharpe and the Magnetic Zeros The chorus says it all. “Home is wherever I’m with you.” It’s upbeat and heartwarming, with pieces of a love story sprinkled between whistling and fantastically used trumpets.

2 - We Found Each Other in the Dark by City and Color

They hid the premise in the title. Nonetheless, it’s a great wedding song. It’s about choosing to live and have a great life together no matter the circumstances. Easy guitars and a smooth falsetto make it a good slow dance choice.

3 - Ho Hey by The Lumineers

This happy, energetic folk song proclaims what every wedding is about: “I belong with you, you belong with me, and you’re my sweetheart.” It doesn’t get more wedding appropriate than that. You’ll be the BEST DJ IN TOWN if you play it at a wedding.

4 - Angel by Ernie Halter

City and Colour

This song oozes with sweetness. Halter has a voice like velvet, and the instrumentals provide the
perfect background.

5 - Jackson by Johnny Cash - Original or cover version by Florence + Josh Homme

Admittedly, this doesn’t quite fall in the indie category if you have the original, but Florence Welch and Josh Homme bring a new twist to the classic. Modern voices over a classic bring some Cash class up to date.

6 - You’ve Really Got a Hold on Me cover by She and Him

Who doesn’t want a bit of Zooey Deschanel at their wedding? She and Him’s rendition of the Smokey Robinson song is an ode to holding the one you love, and very easy on the ears.

7 - Walking on a Dream by Empire of the Sun

This song is a blast. It channels just enough of a 80s electronic dance vibe to be fun, without being cheesy or annoying. A simple drum beat and tight instrumentals make this an easy choice for the reception dance floor.

8 - 5 Years’ Time by Noah and the Whale

Noah and the Whale

Easygoing and whimsical, this song will have everybody feeling good. Ukulele, pleasant harmonies, and a small taste of violin and flute add depth to this folk-flavored tune.

9 - Wonderful (The Way I Feel) - My Morning Jacket

Every wedding needs a nostalgic acoustic guitar singer-songwriter type song. A great voice and a great guitar part make this song perfect simplicity.

10 - I’ll Follow You by Jon McLaughlin

A piano based love ballad, this is sure to have all the parents and best friends getting a bit misty. The strings and McLaughlin’s raw voice will bring plenty of emotion to the ceremony.

DJ FOR HIRE
Wedding DJ Kent, Surrey, Sussex, London

Interview with Bidisha Chowdhury: Film Maker and Story Teller

Bidisha Chowdhury lived in Kolkata, India when young. She was always mesmerized by films, but when she grew up, there weren’t kids’ films like there are now. The films were geared towards adults. Instead, she read tons of storybooks, even hiding from her parents to do so. She amused herself by imaging the books she read in film format.

From all the books she read, she had lots of ideas for stories, but no creative outlet for them. Decades later, after moving to the US, she started writing her stories into scripts. Years later, when she finally had the opportunity to get involved with the filmmaking process, working on numerous short films.

Her journey started when she wrote and directed two of her own shorts in 2010 and one in 2012. She became a part of something bigger than herself. Still, at that stage, she never thought she could ever make her own feature-length film someday.

She loves the whole process of filmmaking, starting with writing the script. During the pre-production process, she loves to spend hours creating props and designing costumes for the characters. She finds it creates a stronger connection with the characters and allows her to tell a better story.

Interview with Bidisha Chowdhury

Thank you for taking the time to speak with us. You're obviously a well established director and writer. You have several writing credits, director credits, producer credits, and even a credit as a costume designer. Do you feel like you are just beginning? What is your primary goal?

Bidisha: I love the whole process of filmmaking, starting with writing the script. “Adaline” is my first feature and yes, I guess, in the grand scheme of things it’s still just the beginning for me but I still have a fair amount of experience under my belt. I have a couple of other scripts which I wrote a while ago, I want to make them into a film in the future. Also I’d like to make films on real life stories and events.

My primary goal is to make films which have a strong story because basically I’m a story teller. I want my films to appeal to audiences of all ages and demographic as my central philosophy is simply to have a great story.

You mention in your biography that your ambition to work in film stemmed from a very young age. What were some of your ideas that you held onto as a child that are still with you today?

Bidisha: I was always mesmerized by films, but when I was growing up in India, there weren’t kids’ films like there are now. The films were geared towards adults. Instead, I read tons of storybooks. I amused myself by imaging the books in film format. I had lots of ideas for stories, but no creative outlet for them. Decades later, after moving to the US, I started writing my stories into scripts. Years later, I finally had the opportunity to get involved with the filmmaking process, working on numerous short films. My journey started when I wrote and directed two of my own shorts in 2010 and one in 2012. I became a part of something bigger than myself. Still, at that stage, I never thought I could ever make my own feature-length film someday.

Tell us a little about your current project Adaline? 

Bidisha: This is the story of a struggling young artist called Daniela who inherits an old house from a distant aunt she never knew existed. Daniela moves into the San Andreas house and gets to know locals such as the mentally-challenged Marvin and the handsome John. Life seems perfect.

Daniela starts having a series of bizarre dreams. She finds a hundred-year-old diary from the young Adaline, who also left cryptic prophecies hidden in the attic when she lived there. Daniela discovers that Adaline was known for her special powers and ability to see the future. Her premonitions came true and she was called “The Village Witch of San Andreas”. Did Adaline see something really terrifying in Daniela’s future? Is that the reason she’s trying to reach Daniela through the dreams and the written prophecies?

Is Adaline one those stories you created as a child? 

Bidisha: No. I wrote Adaline in 2012 and then I rewrote it until we went to production. Story and believable characters are important to me. I’ve read many stories since I was a child. My inspiration for believable characters comes from certain interesting people I’ve met along the way. For example, when I was growing up in India there was an older lady who was our neighbor. She was nice but very curious about other people’s business. So I wanted to incorporate personality trait into Becky’s character where I made Becky into a small town nosey lady.

A while back I met a younger guy who was very nice and sweet. He was slightly mentally challenged and talked in a very unique way. Then years later I met another guy who used to work in a shop I often went to. His mannerism, his body language and his clothes caught my eye. The color combination of his clothes didn’t match and the style of clothing was not contemporary but he didn’t realize it. So when I was writing the script I combined these two people into one and that’s how my Marvin’s character got started.

Being that you were forced to hide certain books from your parents, what were those books and does any of your current work reflect those ambitions as a child?

Bidisha: I used to read all kinds of stories and novels which started from a young age and that’s how I fell in love with story-telling which became second nature to me when I grew up. It helps me a lot when I write a script. I can’t remember exactly which books I hid from my parents but they were probably most likely ghost stories.

Did your parents ever catch you writing stories and try to make you stop? How did you hide this from them or how did you explain it?

Bidisha: I used to write more poems than stories when I was much younger. However I did read a huge number of stories during my childhood. The stories I read and the new ones I thought up, I just kept them in my head for my own amusement.

Equality for women in India is slowly changing for the better, but the country is still one of the most dangerous places and oppressed country's for women. As an Indian woman, do you feel some satisfaction in becoming apart of this equality movement?

Bidisha: Yes, India is changing for the better but I don’t believe it’s one of the most dangerous places in the World for women or the most oppressed country for women. After all India, in 1980, elected a female Prime Minister in the form of Indira Gandhi which was long before most countries in the west have done and are still to do. Also, one of the first female film directors in India was an Indian lady by the name of Fatima Begun who, back in the 1920’s, used to write, direct and produce her own films. However, I do understand your sentiment that India is a male dominated society where Indian women have had to face many challenges on a daily basis. As time passes things do change. My total respect goes out to those women. I wouldn’t say I’m a conscious part of any movement. I’m just grateful I have the opportunity to do what I love to do.

So whatever challenges women in film face today the trailblazers of the past have broken down many barriers but there are still more changes that will undoubtedly happen. We will just have to wait and see.

Do you feel fulfilled or is the best yet to come for Bidisha Chowdhury?

Bidisha: I did put all of my effort into making “Adaline” the best it can be with my limited resources and funding. I have different stories I’m looking to get made into film which will be different to Adaline but very special in their own ways. I am always looking to improve so I feel the best of me is yet to come though Adaline represents the current “best of me”.

Can you tell us what you'll be working on next? 

Bidisha: Currently I have a script we’re looking at potentially producing. It’s a period drama set in Victorian times called “Weeping Lilly” and it’s about a mother’s struggles to protect her home, children, husband, and sanity from a scheming governess who has a mysterious past and shadowy agenda.

Find more of Bidisha Chowdhury:

http://www.imdb.com/name/nm4974852/
www.beautifulcircleproductions.com
www.adalinethemovie.com
http://www.imdb.com/title/tt3218094/?ref_=nm_flmg_wr_2

Interview with The Hypocrites Author: Mara K. Eton

Overview

On the surface, Hempstead looks like a typical Midwestern small town, a postcard of white-fenced American normalcy. But glance past the manicured lawns and into the windows of the offices, church basements, and fancy houses, and you’ll find the people of the cannabis culture underground. Some are dealers, and some wear suits and ties to pay for their green lifestyle. But one of them is about to make their entire world go up in smoke.

About the Author
Attending nine different schools before graduating high school, Mara K. Eton was able to experience the cultures and histories of several different states as well as the country of Spain. It was her time spent in Madrid that fostered her love of art, history, and the ability to tell a good story. Due to her mother teaching her to read at age 4, Mara became obsessed with books. By age 8, Mara started writing down her own stories and continued to read avidly. When Mara won the Lt. Governor's award for best essay in 5th grade, she figured she was on to something with writing her stories down. Mara now spends most of her time in the Southeastern United States.

Interview with Mara K Eton

All Indie Magazine: Tell me about your book. What inspired you to write and publish your own book?

Mara: The Hypocrites started out as a short story, Cracked Eggs, which is ultimately the first story in the book. The inspiration came from a commercial I saw on television back in 2008 for a product called the Roll N Grow. Who in the world would buy it besides my mom? That got the ball rolling. When I finished Cracked Eggs, I wanted to know more about the characters mentioned and what would happen if they were put into a potentially disastrous situation. I also got tired of trying to find cannabis fiction that spun the issue in a somewhat positive light and didn’t resort to the usual stereotypes you come across when you read about this issue.

All Indie Magazine: Can you tell us more about the premise of your book? Why would someone be interested in reading The Hypocrites?

Mara: The Hypocrites is not a standard novel. It’s seven short stories comprising one main story told from the points of view of seven characters involved. Sean is a woman who is pretty numbed out and is uncertain about her involvement with Jody. She seeks attention from another guy named Sam and when things don’t work out in his favor, he starts a chain of events that impacts a lot more people than just Sean and Jody. Everyone in the book is connected to each other by cannabis. By the end of the book, the reader will realize just how interconnected all these people really were. Whether you consume cannabis or not, The Hypocrites is a story about relationships and the connection to people in one’s life. It’s pretty common nowadays to have bad romantic experiences, worries about the future, strained relations amongst family members, and frustration about a job. Those are universally relatable subjects. If you’ve had those experiences, you may enjoy reading my book.

All Indie Magazine: From what you've experienced and witnessed, is the cannabis culture more common than people are willing to admit?

Mara: Absolutely. The culture is definitely moving out from the underground. But every city I’ve ever visited has a different feel about it. In LA, it’s common place and no big deal. Minneapolis is relaxed about it but it’s not openly advertised. Same in NYC. I mean, you can have some herb delivered to you like a pizza. In the South, it’s like a secret and no one really talks openly about it unless they’re in like minded company. But with the recent influx of articles in mainstream media about legalization and its medical benefits, I like to think people are taking the blinders off their eyes about it. From what I’ve read, most people in the U.S. favor legalization. That’s huge. We’re dealing with a very different landscape with this issue than we were as little as 5 years ago.

All Indie Magazine: Today, there are 22 states in the US that have legalized marijuana, but for the most part it's still kept as a "dirty secret". In your personal opinion, why do you think there is such a disparity in the cannabis culture between the mid-west and larger metropolitan areas?

Mara: I spent 11 years living in the Midwest and it is definitely a conservative stomping ground. That’s pretty much why I set The Hypocrites in a fictional Kansas town. I believe it’s a generational thing. For years, the younger set has flocked to cities where the attitudes are different. Access to technology provides us with more information than we’ve ever had access to in the past. It’s a matter of educating yourself.

Legalization itself is such a gray word. The phrase “legalization in 22 states” means something different to those who are well versed in the issue and those who are just learning about it. In my opinion, only two states have true legalization, Colorado and Washington. Medical legalization, while it’s turning the tide, is in itself rather restrictive. Some states, like Minnesota, only allow it in non-smokable form.

I feel encouraged by the progress made in States allowing access to people who really need it medicinally. However, isn’t it rather hypocritical not to also legalize it for responsible recreational use? Can’t have one without the other. But the real stigma attached to the legalization issue is with the re-scheduling of cannabis. As long as it’s still on the Schedule I list on a federal level, there is a still a lot of work to be done. Cannabis legalization has turned into a political issue instead of a health issue.

All Indie Magazine: What is the reason behind the title The Hypocrites?

Mara: For me, I felt it said how I feel about people who can’t live out in the open with their cannabis use, whether it’s for a legit medical reason or for recreational use. I’ve encountered a lot of people like that. They keep quiet or say one thing against their use and that pretty much makes them a hypocrite. In this particular situation, being a hypocrite is necessary if you don’t want to essentially have your life ruined by the threat of incarceration. Most people who imbibe are not violent people. Any legal entanglements due to possession and cultivation leave a mark on a person making it hard to rebuild their life. The fear of going through that makes hypocrites out of people in the cannabis community. So they end up living double lives, no matter how successful and “normal” they appear to others.

All Indie Magazine: Is this your first published book?

Mara: Yes. But hopefully not the last.

All Indie Magazine:  Is The Hypocrites and your 5th grade essay have any connection?

Mara: Not in a direct or obvious way. I didn’t know much about cannabis when I was 10, outside of what was being pushed at me via the Just Say No campaign. The essay was about a phone call my mother took about a motorcycle accident my uncle had. I was a pretty quiet kid and most adults didn’t notice me around. I remember sitting on a foot stool in the kitchen on the side of the stove when my mother was on the phone. She had no idea I was there and what my perception was until she read the essay a few months later.

My uncle involved in the accident survived and went on to live a very successful life: the wife and kids, the house, a master’s degree, etc. While cannabis was not involved in the accident (he was hit by a car), he is not out in the open beyond a few family members about his regular cannabis use. It’s kind of a joke amongst the family. But at the same time, he has the least amount of drama in his life. He is very knowledgeable about the subject of cannabis and my least uptight family member. I tried to use those elements about him in some of my characters in The Hypocrites.

All Indie Magazine: Who are some of your favorite authors and did these these authors inspire you to want to become a writer?

Mara: My short list of favorite writers, or Top 5, is J.D. Salinger, George Singleton, Charles Bukowski, Chuck Palahniuk, and Flannery O’Connor. All of them have been strong influences in some way or another. I came across all them at impressionable ages in my time. Yeah, they were definitely inspiring in my decision to become a writer.

All Indie Magazine: What is your favorite book and what are you reading right now?

Mara: I’m officially a nerd for The Catcher in the Rye by J.D. Salinger. A friend told me to read it when I was 13 and just starting high school. I don’t get all super into it like some have but I just enjoy reading it. I read it every couple of years and I always dig it. I’m currently reading the new collection of short stories by George Singleton, Between Wrecks. It’s pretty solid.

All Indie Magazine: Do you plan on a national book signing tour?

Mara: Not at this time. I hope to in the future but nothing immediate has been planned.

All Indie Magazine: What is in store for you in the coming future?

Mara: I’ve started work on a follow up to The Hypocrites because I just can’t seem to leave those characters alone. Characters in the first book who didn’t narrate their own experience will have their say in the follow up about what’s going on with them now. I’m also outlining another novel unrelated to The Hypocrites.

Find out more information about The Hyprocrites and Mara K Eton at
http://www.areyouahypocrite.net/
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Purchase The Hyprocrites at:
Amazon.com
MyBookOrders.com
Barnes & Noble
iTunes

Interview with Linzi Stoppard & FUSE Violin Band

Electric violinists Linzi Stoppard and Ben Lee comprise FUSE, and they're wowing music lovers with an innovative and one-of-a-kind sound that's unlike any other.

The FUSE violin duo released their debut album, FUSE, with Edel AG Records and their faithful following has been growing by leaps and bounds ever since.

As part of the FUSE violin duo, Linzi Stoppard and Ben Lee are carving out a unique musical niche and an equally unique fan base with their incredible sound. Violins are traditionally associated with classical music, but the FUSE electric violin duo has bucked the norm. They delved into the sometimes risky and uncharted territory that is the world of crossover music to develop a new, innovative sound; one that's unique on the music scene. “Many string instruments have electric varieties, but these musicians typically use a traditional acoustic instrument so you end up with a traditional sound, albeit a bit louder. Our approach is very different. We utilize sonic processors and a unique type of electric violin.

The result is our very own FUSE style,” Linzi explains
To achieve their trademark sound, the electric violinists of FUSE called upon a suite of high-tech equipment, including their trademark gold Bridge electric violins, valve amps and sonic processors to create their trailblazing album. The result is a new style of rock that's unlike anything you've ever heard. The FUSE violin duo has received tremendous critical acclaim from critics with some of the world's leading publications, including the Daily Telegraph, the Daily Mail, OK Magazine, and Hello Magazine, among others. But Linzi Stoppard and Ben Lee don't just have the talent and the innovative sound; they've also got the look.

Q&A with Linzi and Ben

How did you two meet?

Up until 2007 I was a solo electric violinist performing all over the world. As with most artists I was always looking to push the boundaries a bit further so my management started looking for an executive producer to work with me behind-the-scenes. Meeting Ben I think was serendipity - my management found him through old contacts and being passed from one person to another and eventually Ben was at the end of the chain. To begin with Ben worked with me as my exec show producer because he was a wonderful talent on the violin so had an innate taste for what I as already doing, and had good studio credentials as well. This works really well for about 6 to 9 months and then out of nowhere one day in rehearsals we were arranging a piece that would really have benefited from having two live violin lines playing at the same time - like a conversation if you will. That was the moment! I thought, well there's only one way to do this and that’s to invite Ben to play the second line with me so I did and asked him to come to the next show to perform it with me. One track led to another and within a few weeks we had re-arranged and reproduced my tracks so that it accommodated two violins and FUSE was born.

 What's the story behind the name "Linzi Stoppard & FUSE Violin Band"? 

When it comes to choosing a name bands I think find it inherently difficult because whatever you think of you doubt yourself whether it fits the image, style, the music and what others will think of it as well. We knew what we were trying to achieve as a band - it was an amalgamation of lots of different influences from Ben's childhood, from my childhood, from the music we grew up listening to and also trying to convey that we were combining a classical instruments but with a much more contemporary approach. The word of fusion kept coming up over and over again but we thought it sounded a bit clinical and there may have been another band around at that time with the same name. So FUSE seemed a lot more punchy, less syllables which helps, and encapsulated everything we wanted the name to represent.

Typically, most violinists play acoustically, but you choose to perform using processors and electric violins. Was it to be different or do you prefer this style of violin?

Yes, we get asked this quite a lot. I suppose it's a bit of both - when I look back I suppose, the common denominator is I've always wanted to do something a little bit different from the crowd and to stand out. This was not because I didn't admire what other people are doing, I did, I just wanted to be a little bit different. When I was a solo artist we did experiment with different approaches to my live performance and some included classical violin and also with the electric violin but I always felt live at the electric violin showcased my vision and sound for the artist I wanted to be. Then of course working with Ben in early 2008 open up a new horizon because he was practiced at using effects like me, pedals, and several guitar techniques transpose for the violin. That was actually the easiest decision, we had the same goals, ambition, and both wanted to show how versatile the electric violin could be if you had an open minded approach. When it came to recording the album we decided to use a lot of analog equipment - not just vintage guitar amps but also down to specific details like the model of microphones that were used back in the 1970s to capture that full rich sound. This backline combined with the modern production techniques we feel has given us a signature sound and helps capture the audiences attention because it's not just an electric violin playing straight through a live desk that really sounds more or less like an acoustic violin amplified.

How do you write and create each of the songs?

This has been a collaborative process - not just between Ben and myself as you would think but also with our management. They always have one eye on what is commercially viable and it helps us keep our focus on the goal and not get too self-indulgent going off in some weird and wonderful direction which to us seems fantastic but may result in leaving the audience behind. Four example the track Fix You on our Universal album was imagined up by our manager while he was on holiday. He didn't have any fancy software like ProTools or Logic, but he had a very rudimentary program that could chop up tracks - he cut up the Welsh lullaby theme from the film Empire of the Sun and tried to stitch it together with Coldplay's Fix You. To be honest it sounded pretty awful but the kernel of the idea was definitely there and when Ben and I heard it we knew exactly what he was after. I remember when we finished recording that track Ben turning to our manager and asking, “Is this how you imagined it would sound when you first had the idea?" The manager was absolutely thrilled with the end result. As a general rule for our rock anthems album we purposefully choose tracks that are very familiar and people know the lyrics to. Then we transpose the lyrics into a dual violin line (like a conversation between Ben and I) and keep it as the main melody of the track - hence when people are singing the lyrics in their mind we are playing along with the same melody and we believed this would end up a key USP of the band. Which it did. Then to take it one stage further now and then to underpin the hook of the track by adding some BV's to thicken up the soup!

Let's talk about influences. Who influenced each of you?

As a child I had many influences from either end of the spectrum. My mum was a classical lover so I had a strong classical influence growing up. At the other end my father loved his rock music - ranging from bands like Led Zepplin, Free, Deep Purple and Bad Company… going back to one of your previous questions I am sure this influenced mine and FUSE's decision to go back to those hallowed days and recreate that immense analogue rock sound. Growing up in 80s with the major artists of the time were a big influence to me too - whether it be more on the pop side like Madonna and Prince through to the big stadium bands like Def Leppard. So the classical and the rock music got amalgamated and out the other end emerged FUSE.

If you were to compare your music to anyone, who would it be?

That's a difficult one because you can't really compare ourselves to a vocal artist, and on the other hand we believe as a violin act we have marked differences between us and our contemporaries. Having said that there artist we admire such as Nigel Kennedy, Vanessa Mae, and of course Bond who all paved the way for us.

Your music would be amazing in television or film. Have you ever been commissioned to score any such projects, if so which ones?

That's a timely question… we are currently in talks to do two film scores. The first will require a bit of reinvention as it's very contemporary and modern so it will need a special team of producers. I suspect we won't end up using the violin in the traditional sense but rather as a module for trying all sorts of weird and wonderful sounds through it, like you would with a synthesizer. This will give it a unique identity that can only be achieved from using a string instrument and a bow. The other will be a much more traditional film score with large orchestral movements and very cinematic.

There is such emotion in your music. Does your own music ever bring you to tears?

Yes it's can be very emotional but no it hasn't brought us to tears yet. But seeing fans welling up which does happen now and then, is very moving and without them saying anything we know we have struck a chord and made a deep connection with them which is always very gratifying.

I know some of your music does incorporate background vocals, but have you ever collaborated with other vocal artists from other bands? Is that something you'd like to pursue more of?

As I mentioned earlier we do sometimes include backing vocals in the choruses to emphasise the hooks that everyone knows and loves, and enjoys singing along to. This was another USP and character of FUSE that we decided early on in the making of our rock anthems album. We have been approached by a couple of vocal artists but for one reason or another the projects didn't pan out because the material felt a bit forced and wasn't coming naturally. But yes, this is definitely something that we are open to and I'm sure it won't be too long until we produce something with another artist.

Because you're a unique instrumental artist, do you find it more challenging or an advantage over most independent vocal artists, because there are so many of them?

It depends how you look at it - either the glass is half full, or the glass is half empty. Yes there are more independent vocal acts out there which means that it's more competitive but it also means that that is the mainstream choice of music so it has greater support from the record companies, the media, and understandably radio. It is true there are fewer violin at around but because it is still perceived a niche instruments it doesn't have the visibility or airtime to breakthrough like a new boy band would. Having said that there is an increasing number of string acts around. You just have to look on YouTube and there seems to be a new one every week which wasn't the trend 5, 6, 7 years ago when we started out. Now there is a plethora which in a way is a good thing because it challenges us to be even more innovative and to try and get ahead of the curve. I always believed that competition was healthy - my motto is "if you thought you were doing okay it meant you were comparing yourself to the wrong people."

What is in store for Linzi Stoppard & FUSE Violin Band for 2014 and beyond? New music? New video? A tour perhaps?

Hopefully a soundtrack, either one would be great but we are constantly in the studio trying out different ideas between being on the road touring, and launching products like the new Mercedes S Class we toured with earlier in the year. FUSE doesn't do "standing still" very well.

Find more of Linzi Stoppard & FUSE Violin Band
Official Website: http://www.linzistoppard.com and http://www.fuseofficial.com
Twitter: https://twitter.com/LinziStoppard
Facebook: https://www.facebook.com/LinziStoppardElectricViolinist

Bringing a Fresh Face to the Big Screen: Interview with Elyse DuFour

Elyse DuFour brings a refreshing face, balanced craft, and energized technique to film and television.

Originally born in the greater DC metro and Virginia area; DuFour is now based in Atlanta and working to magnify her resume with a strategic approach, creating a natural growth for an ambitious entertainer. She is a young lady with a lot of heart and determination to make sure the world knows her name, and it’s looking like she’s doing a pretty great job at it so far. Aside from gracing the pages of one of the World’s Premiere Mags with Beautiful Women worldwide, having already completed 3 Independent Films, with 2 more on the way. From Commercial/Print to Feature Films, and in case you're curious, a top model Editor pick for Maxim magazine.

2014 will be a banner year for Elyse - since transitioning to the Atlanta market, she has held significant roles including HBO's VEEP. DuFour credits both the The Paramount State Theater School Of Acting and the Austin School of Arts for developing her niche skills in Acting and performance.

All Indie Magazine: First of all, thank you for this opportunity. So, you’ve been in several films since 2012 including Drakul, The Hunger Games: Catching Fire, The Holy Sound, Alexandria, Merry F@#$ing Christmas, and Wicked Attraction. Which was your favorite project you worked on?
Elyse DuFour: My favorite project so far has been The House Behind the Wall which shot last summer on location in Ft. Monroe, Virginia. It was remarkably beautiful and holds so much intriguing history. THBW will hopefully be released within the next few weeks! Im not sure why, but I love working on indies more than studio films at this point.(I am barely in Drakul, but I was featured on HBOs VEEP)

All Indie Magazine: You were a recent Editors Pick for Maxim Magazine. Do you enjoy modeling or
acting or both? Elyse DuFour: I am very lucky and thankful to be able to do both, but if I had to choose one I would, without a doubt, choose acting. My entire life revolves around it. Acting has almost become a kind of therapy for me. When I’m not on set, If I don’t work on a scene for at least two hours a day, I begin to get very anxious. All Indie Magazine: What is your least favorite part of acting and modeling?

Elyse DuFour: The assumption that my goal in life is to be famous. I guess it comes with the territory, but I am an actor because I love film and television, not because I dream about being chased around by paparazzi. I don’t see how anyone could want that. I want to work on films that will make people feel something outside of themselves, and ultimately have my performances regarded as quality work. Of course money and recognition would be fantastic and I do want that, but only to a certain degree.

All Indie Magazine: What do you like to do when you’re not acting and modeling?
Elyse DuFour: I always dread this question because I sound so boring. I watch a lot of film and tv in my spare time. I just started playing guitar, learning French , and I read a lot. .Ill go to a party or two once in a while, but usually when im not working I am as lazy as possible. Oh and I spend a lot of time in my Strasberg class which has completely changed my life.

All Indie Magazine: What motivated you to become an actress?

Elyse DuFour: Ive always wanted to be an actress, though I suppose I was afraid to admit that I wanted to do something so ridiculously impractical. So I kept that dream to myself. Then In 2012 I was going to college for psychology and history ( which I still have a great passion for) but I just wasn’t happy. I remember having this ‘light bulb’ moment where I thought to myself, “If I could do anything in the world without fear of failure, or the fear of what anyone would say about me.. what would I do?”. That night I went home and told my mom I was going to be an actress. She has supported me in this craziness 100% since then. Thanks Mom!

All Indie Magazine: Did modeling become an opportunity that came of acting or did you pursue it?

Elyse DuFour: Modeling did come second to acting. I was a little too shy when I first started acting and modeling helped break me out of my shell.

All Indie Magazine: If you had a lead role in a major film and you could pick your co-star, who would you choose to star with?

Elyse DuFour: Can I pick more than one? Gary Oldman, Christopher Walken, and John Malkovich. Also I admire Tatiana Maslany very much for her work on Orphan Black. OH and Jordan Gavaris blows my mind, I would love to work with him.

All Indie Magazine: What is on the horizon? What projects are coming up and when can we expect to see you on the big screen or magazine issues?

Elyse DuFour: I was just cast in a film called “The Gift”, I cant say too much about it yet but I am very,very excited to have won the role of Abby. It had one of the longest audition processes Ive been through so far, so finally finding out that I did book it felt so wonderfully rewarding. The producer and Director have done such great work, Im just honored! I am shooting a national commercial within the next few days, I cant say much about that either at this point but it should be running everywhere in the US by the end of July!

Thank you guys so much for your time! You’re awesome!

Follow Elyse DuFour:
Official Website: www.ElyseDuFour.com
 Twitter http://twitter.com/elydufour
imdb http://www.imdb.me/elysedufour

Hard Rock Cafe to Host Opening of 2014 Artists In Music Awards: Performances by Glitter Rose and Soren Bryce

FOR IMMEDIATE RELEASE (Hollywood, CA), June 27, 2013— We cordially invite you to attend the opening of the 2014 Artists In Music Awards: “The Breakthrough Series” at Hard Rock Cafe benefiting St. Jude Children’s Research Hospital!

This year’s event will feature exciting LIVE performances by past AIMA winners Glitter Rose and Soren Bryce and will be attended by numerous professionals within the independent music industry including AIMA Executive Producer Mikey Jayy, who is also receiving his BA in Music Business the same day. Guests will have the opportunity to enjoy the show and network with many entertainment leaders.

FURTHER DETAILS OF EVENT:

Where: Hard Rock Cafe, 6801 Hollywood Blvd, Los Angeles, CA 90028
When: Thursday, June 27, 2013
10pm: Soren Bryce
11pm: Glitter Rose

Price: In lieu of tickets, we are accepting donations for St. Jude Children's Research Hospital.
St. Jude Children's Research Hospital, founded in 1962, is a leading pediatric treatment and research facility focused on children's catastrophic diseases.

To make your donation, click this link:
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=6HLDDN37LTCV8

About the Artists In Music Awards: The Artists In Music Awards is a privately held organization established for music artists. Our mission is to entertain and give recognition to the finest emerging music artists. Each artist we work with is not a product, but a valued partner. We are committed to providing an engaging and rewarding environment through live entertainment events including award shows, showcases, Red Carpet, and press events.

About the performers: 

GLITTER ROSE: Originally from Ft. Worth, TX, Glitter Rose came to California and became a 2-time Artists In Music Awards winner. She has won "Best Rock Artist" and has taken home one of the most coveted awards, "Album of the Year", for her 2012 full-length CD release, "Dead or Alive". While Glitter is definitely a "rocker" in a class of her own, her other genres are influential of Southern Rock with a touch of Country. At the age of 13, Glitter's career began in 1998 as an accomplished guitarist, a simply genius songwriter, and has vocals packed with power, grit, and originality. Her live show is that of legends, captivating the audience with her high-energy performance, and her passionate presence.

Glitter has great love and admiration for her fans, stating, "They are the reason I make music. If I can evoke emotion and excitement in one person in the crowd, I've done my job. It brings me great satisfaction to touch people with my songs and my performance."

Find Glitter Rose's complete bio at www.glitterrose.com.
Follow Glitter at http://twitter.com/GlitterRoseTX
and
"Like" her on Facebook at www.facebook.com/glitterrosemusic

SOREN BRYCE: Soren Bryce is a 16yr old folk/acoustic/alternative artist from Amarillo, TX. Soren began writing music at the age of 7 or 8, when she wrote her first song by ear on the piano. Soren recorded a 6 song EP with producer Jonathan Cunningham. Soren submitted her song "Built My House Up" to the Artist in Music Awards and she subsequently won “Best Folk/Acoustic Artist” for 2013. Her song has also been the #1 most requested song on KGUP 106.5 FM for over 17 weeks straight, making her the station's "Most Requested Artist of the Year". Soren recently recorded her original song "Drought" in LA with Grammy-nominated producer, Dan Burns. It is being pitched for film/television placement. Her Management currently has her meeting with various well-sought producers and musicians.

Soren's music can be downloaded or purchased on Reverbnation, iTunes, Soundcloud, and YouTube. Follow Soren on twitter http://twitter.com/sorenbryce for updates on shows, etc.
Website: www.reverbnation.com/sorenbryce

Visit our website at www.aimusicawards.com for the latest updates and artist profiles! Thank you to our sponsors Arts Seen & Heard PR, MusicSUMBIT, & 101Distribution, and a big thank you to St. Jude Children's Research Hospital.

For Press inquires email [email protected]

RSVP: https://www.facebook.com/events/687646307918785

Interview with The Dance Doctor: John Cassese

He’s got the moves, he’s got the look, he’s got the voice. He is the internationally known, “The Dance Doctor to the Stars,” John Cassese. John presents music from his LP’s Never Too Late and A Night of Swing.

Mikey Jayy of The Great Unknowns Presents and Program Director of KGUP 106.5FM, heads over to Santa Monica to interview with the Dancer/Singer Songwriter, John Cassese live in the studio to talk about his Nomination for Comeback Album of the Year and his Nomination for Best Adult Contemporary Artist at the 2013 Artists In Music Awards.

To get more information about The Dance Doctor Studio in Santa Monica or purchase Never Too Late, A Night of Swing, and John Cassese In Concert, go to www.johncassesemusic.com

For a limited time, if you purchase one of his CD’s, you get a free dance lesson. Just mention that you heard our interview on KGUP 106.5FM or The Great Unknowns Presents.

John Cassese’s official biography: 

The Santa Monica, California based dance instructor/choreographer, known as The Dance Doctor, believes everyone has the ability to dance, and he and his team lead the way teaching others to trip the light fantastic. With a true appreciation for the arts, Cassese’s talents are diverse and varied. Not only is he a nationally recognized dance instructor who has trained such celebrities as Adam Sandler, U2’s The Edge, Elizabeth Hurley and Sir Ben Kingsley, he is an accomplished singer and entertainer. Involved in several facets of the arts including singing, entertaining, choreographing for film, stage, television, video and private parties, as well as producing and performing dance demonstrations, Cassese is a modern-day renaissance man. “Singing is always something I have focused on and has always been a big part of my life, but because I was dancing and teaching dance so regularly, I put my singing career on the back burner; though it was never, ever far from me. It has always been, and will always be, a great passion.” Here, for the first time ever, we are pleased to present John Cassese Music; a collection of John Cassese’s recordings, from cover songs to some very special original material. These songs will make you feel happier, put joy in your heart and a spring in your step. The first CD available on iTunes is entitled, “Never Too Late” and it features some of the most touching, emotional and romantic songs. Sing to them, dance to them or do both. We could all learn a lesson or two about living life to the fullest from John Cassese. Like his album’s name, remember it’s never too late to reach your dreams.

Interview with Chance You Take on The Great Unknowns Presents, Ep 162

Chance You Take is a young group of guys from Baltimore, MD with Chris Meagher on Vocals, Michael Meagher on Guitar and Vocals, Adam Christopher Henderson on Bass and Vocals, Bryan Kotcher, on Guitar, and Mikey Knaus on Drums.

Together, their music compares to the likes of All American Rejects and The Red Jumpsuit Apparatus, but they also have a Top-40 Pop Rock side to them that compares them to One Republic, The Fray, The Script, and Keane.

While this band is brand new and completely off the radar, their music is quite the contrary. Their newest single, “Love Again featuring Da Kid Emm” is of course, a love song, but it is much more. Perhaps to the typical metal fan, it is too “cheesy,” but not bubble gum enough to turn away the typical music lover. In fact, the song is a quite catchy and more mature than you might think. It might even be the perfect song if you’re longing for a good old fashion pop-love song. You might even find yourself singing along in your car and getting tons of attention with either shaking heads or smiles pointed your direction. They’ll be flipping through their FM dial with attempt to find what song you’re listening to, but they won’t find it. …at least, not yet anyway.

Recently released is their 5 song EP. It has a combination of love songs followed by songs about life’s lessons. Some are upbeat like, “Love Again” and “Using You” and other songs are ballads. While it may appear to be redundant from the outside, don’t just assume there is no diversity, because there is. You might be surprised how good this entire EP is.

Listen to an exclusive live interview with Chris Meagher on The Great Unknowns Presents, originally aired on KGUP 106.5FM “The Emerge Radio Networks”.

Find more of Chance You Take:
Official Chance You Take website
"Like" on Facebook
Follow on Twitter
Fan and join their newsletter on Reverbnation
Purchase the Unbelieveable EP on iTunes

One Shot, Two Kills: MR Exclusive Interviews- The Devil Wears Prada and Upon A Burning Body

Written by XxCrashQueenxX

On day 1 of the Rockstar Energy Drink Mayhem Festival, I had the chance to sit down with the vocalists of two of the most popular bands in today’s metal scene, Mike Hranica of The Devil Wears Prada and Upon A Burning Body’s Danny Leal . I interviewed both of them and asked them everything from what it felt like to be on the same bill as metal heavy weights such as Slayer and Slipknot, to what they do on their down time when they’re not on the road. Both interviews went great, here are their responses to my questions.

The Devil Wears Prada Photo Credit to Richard Rasner of Nakayama Studios.

Interview with The Barrens, Ep 161

The Barren’s is unlike most bands you will encounter. They do not easily fit within any specific genre category. Rather, they conform to many including Psychedelic Rock, Experimental Rock, Alternative, and Rock, blending the familiar sounds of Pink Floyd, the Ramones, The Pixies, The Shins, Radiohead, and Temper Trap.

Founded in upstate New York, Debbie Chou, Colin Fitz, Chris Gersbeck, Mike Koene, and Jay Sharp relocated in New York City to pursue their music careers as The Barrens.

The Barrens has one previous EP called, Worming. Three years later in 2011, The Barrens released their latest and full length album and simply called it, The Barrens.

The LP begins with the title, “Claw Remains,” a very pseudo Pink Floyd song, then transitions into a very psychedelic, yet heavy metal track called, “Felt” which has an almost Black Sabbath sound with a thunderous guitar introduction played by Colin Fitz (Fitzgerald), Mike Koene, and Debbie Chou. When the song breaks into vocals, it’s hard not to compare Fitz’s voice to Black Francis of the Alternative Rock band, the Pixies.

In the next track called, “Bottem of the Well,” the band takes a new direction and delivers a sound that is both indie rock and perhaps surf rock-esk, that is more harmonious and less heavy metal, because the song is up beat, fast paced and appears to include the vocals from all five members of the band.

“In and of Ice” is not just a song, but also a journey as they incorporate the bass drum, tambourine throughout the song. Include the angelic voice of Debbie Chou, and you have a unique yet enjoyable song from beginning to end.

The entire The Barrens album is hard to turn away from. Without being aware, you might find yourself listening to every track again and again. Why? Simply because its unpredictable. There are a lot of hills and valleys and when you think you have them figured out, they change in another direction, making it even more enjoyable then the previous song. While The Barrens may fall outside of the mainstream formula, you will be compelled to give it a second glance or you may do what I did and find yourself listening for hours and hours, not realizing you were caught in a “barren” trance.

Listen to the full interview with The Barrens on The Great Unknowns Presents with Mikey Jayy, originally aired on KGUP 106.5FM “The Emerge Radio Networks”.

Find more of The Barrens at:
Facebook 
Bandcamp 
Follow on Twitter 
Myspace  
Reverbnation 
 iTunes 

Find more episodes like these in our section: Interviews & Shows 

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*COPYRIGHT NOTICE. All featured artists and writers retain all copyrights to their material 

Moon Block Party 2

Written by Karo Chakhlasyan

The night ended with the scurry of vendors and anyone who wanted to lend a helping hand in cleaning up in what looked like the morning after a bangnin’ party this past weekend in Pomona at the music and art festival, Moon Block Party.

Phil Pirrone and his crew produced a daylong psychedelic blend of musicians and artist from a local scene where everyone’s questioning of reality doesn’t come out well in some mediums.

Withdrawls: Interview with Kyle Gattison, Episode 160

Today on The Great Unknowns Presents, we have R&B, Singer/Songwriter, Producer, and Publicist, Kyle Gattison.

If you're in Hollywood long enough, you might find the R&B singer at Red Carpet events standing next to popular recording artists and you might be wondering who this guy is. He's not recognizable now, but he will be.

Kyle is laying down the ground work for his own publicity campaign. He's out there networking and meeting key people in the industry. Like a chess match, Kyle sees 10 moves ahead of himself. Each move is all part of a strategic plan to help the pre-launch of his brand new LP. Although he is in the early stages of his music career, he is out there building relationships and making friends in high places. 

By day, Kyle works as a Publicist for a company called Nati Celebrity Services. This service provides services including media relations, marketing communications, and literary productions. This company represents a wide variety of entertainers and athletes like Warren G, Slim of 112, Brad Whitford, WC, DMX, Wingo of Jagged Edge, Jeff Gordon, Kurt Busch, and many other major famous athletes and various celebrities. 

Kyle moved to Los Angeles earlier in 2012, but has already been working harder than most major recording artists. Together with Producer, Mike Szkmczyk, Kyle and Mike are working each night on the production of his new album well into the twilight hours.

Kyle definitely has the ambition of a seasoned major recording artist. With such dedication and drive, he does not need record label executives standing over him and cracking the whip...he does it to himself. 

Currently, Kyle only has "Withdrawls" and "Life Clock"released and can be found on his Facebook page, but except more incredible music by this talented recording artist this Fall. In our interview, we sampled a special version of "Withdrawls" that was remixed by J6.

If you missed the live broadcast on KGUP 106.5FM, listen to the podcast here or on The Great Unknowns Presents

Compare Kyle Gattison with Chris Brown, Usher, Ne-Yo, Tyrese, Romeo, and J. Holiday.

Find more of Kyle Gattison: 
Official Website (New website under construction)
"Like" on Facebook
Follow on Twitter
Szymczyk/Gattison Productions
Hire Kyle Gattison as your Publicist